Results tagged ‘ Hall of Fame Exhibits ’

The Sunday Scuttlebutt

How quickly a player’s value can change. Brandon Inge could
have been had for a song during spring training. The Tigers would have taken a
small amount of talent from any team willing to pick up the bulk of Inge’s
contract for 2009. Just a few weeks later, the Tigers are glad that nobody took
a flyer on their starting third baseman. Through Sunday’s games, Inge has hit
seven home runs and is making an early argument for a berth on the American
League All-Star team, especially with Alex Rodriguez on the disabled list. He’s
also played a stellar level of defense at third base, which is no surprise to some
scouts who consider him capable of winning a Gold Glove…

 

The Royals made a surprising move this weekend when they
designated third-string catcher Brayan Pena for assignment. Pena is a rare
breed in 2009–a backup catcher who can actually hit and carries more than a
modicum of power. He also brings versatility to the table, with his ability to
fill in at third, first, and the outfield corners. Expect the Royals to find a
taker in a trade for Pena. If not, he won’t last long on the waiver wire. There
are at least a dozen major league teams who could use help behind the plate

 

The Yankees just cannot seem to avoid injuries. For the
third straight year, the Bombers have been assaulted by a wave of physical
setbacks to start the season. They have five players slated to be part of their
25-man roster currently on the disabled list. The growing list includes set-up
reliever Brian Bruney (elbow), starter Chien-Ming Wang (hip), and default third
baseman Cody Ransom (torn quad), all of whom have hit the DL during the
Yankees’ disastrous weekend venture to Boston…

 

Speaking of waves of injuries, I thought the A’s would be a
factor in the AL West, but the disabled just isn’t cooperating. Staff ace
Justin Duchscherer remains on the 15-day DL with an elbow that underwent
arthroscopic surgery and won’t be able to return until the middle of May at the
earliest.  The A’s also learned this week
that their No. 1 set-up reliever, Joey Devine, will likely be lost for the
season because of an elbow injury. With Duchscherer and Devine, the A’s would
have made a run for the Western Division with the Angels, who have a ravaged
pitching staff of their own, but without at least one of the “Double D’s,”
Billy Beane may have to conduct another firesale this July…

 

Jeff Francouer has promised repeatedly that he’ll be a new
player in 2009, but we’re still seeing the same strangling level of impatience
at the plate. Through Sunday’s games, Francouer has drawn only three walks in
18 games, which is palatable if you’re a Kirby Puckett type of player, but unacceptable
if you’re not hitting for power and not bringing Gold Glove fielding to right
field. Unfortunately, the Braves are strapped for outfielders. They’ve already
made top prospect Jordan Schafer their starting center fielder and just had to place
the disappointing Garret Anderson on the disabled list…

 

On paper, the signing of Milton Bradley made tons of sense
for the Cubs. They need the kind of left-handed bat that the switch-hitting Bradley
can provide. But Bradley has started out miserably at the plate (one hit in 23
at-bats), has already suffered his first injury, and won’t play again until Lou
Piniella deems him 100 per cent healthy. In the meantime, the Cubs will
continue to play with 24 men. Observers in Chicago are also wondering when Milton and
Sweet Lou will have their first blow-up. Both men have explosive tempers that
tend to erupt when things go badly on the playing field. Watch out in the Windy City…

 

Carlos Beltran is hitting like he did during the 2004
postseason, when he practically carried the Astros to their first berth in the
World Series. By flattening out an already level swing, Beltran has been able
to hit National League pitching at a .406 clip. Beltran won’t hit .400 for the
entire season, but his speed, patience, and ability to switch-hit make him a
contender for his first batting title. I just hope that Beltran doesn’t wear
himself out trying to catch everything in an outfield that will feature Daniel “Bull
in a China Shop” Murphy all too regularly and Gary Sheffield on occasion… Sheffield’s
presence on the roster continues to surprise many of the New York beat writers. With Sheffield in town, Fernando Tatis’ role has been reduced
to almost nothing, while Ryan Church remains a platoon player in the eyes of
Jerry Manuel. Sheffield started Friday night’s game against Washington’s Scott Olsen, the first time the
Mets had faced a left-handed starter all season…

 

Finally, a postscript to Hank Aaron’s visit to the Hall of
Fame on Saturday. In filling out all of the artifacts contained in the new
Aaron exhibit, the former Braves legend has donated more than 50 pieces of
memorabilia to the Hall of Fame and Museum. The large supply of Aaron artifacts
include not only the requisite share of milestone bats, balls and gloves, and
his entire uniform from home run No. 715, but also several bricks and a porch
post from Aaron’s childhood home in Mobile, Alabama. Those surviving pieces
from Aaron’s youth serve as yet another reminder of how “The Hammer” came from
modest beginnings, overcoming a lack of money and a preponderance of racism on
his way to one of the greatest careers in the game’s history. Kudos to Hall of
Fame curators Erik Strohl and Mary Quinn for a job well done in constructing
such an extensive exhibit on Aaron, now on permanent display on the Museum’s
third floor.

The Hammer Hits The Hall

In trying to answer the question, “Who is the greatest
living player?,” only a few players even enter the discussion. Willie Mays
comes to mind, as does his controversial godson, Barry Bonds. Fans mindful of
the game’s history may want to include Stan Musial in the conversation. A few
bold contemporary fans might even throw Albert Pujols into the fray, even
though he is still in the midst of career greatness.

 

The other man who deserves to be mentioned in this
discussion actually visited Cooperstown on
Saturday. Hank Aaron, the game’s longtime home run king who is now second on
the all-time longball list, came to Cooperstown
to participate in the opening of a sparkling new exhibit, known as “Chasing the
Dream,” which details the life and career of “The Hammer.”

 

Aaron has long wanted the Hall of Fame to honor him with an
exhibit. Clearly, he believes he deserves it. When asked what it meant to join
Babe Ruth as the only men to have entire rooms dedicated to them at the Hall,
Aaron did not supply a politically correct answer that smacked of humility. “It
means I’m supposed to be on the same platform [as Ruth]. I’m proud of what I’ve
accomplished.”

 

I can’t say that I would argue with The Hammer. Given his
ceaseless consistency, his sustained brilliance, his unquestioned success in
the face of racism and hatred, Aaron deserves a special place in the Cooperstown museum. Aaron was not the most colorful or
flashy of ballplayers–he didn’t hit tape measure home runs and he didn’t run
out from under his cap–but he was, if you will, a workmanlike superstar. He was
a true five-tool player who graded out as excellent in all departments:
hitting, speed, defensive prowess, strength of throwing arm, and, of course,
power. And he remained a high-level player well into his late thirties, at a
time when most other stars of his and earlier eras had begun to show
significant levels of decline.

 

Aaron’s accomplishments become even more impressive in the
face of the shackles that were placed on him early in life. He grew up as part
of a poor family in Mobile,
Alabama. “As a black kid, we
didn’t have that many things to do. You either had sports or you could become a
schoolteacher. There was not many things you could do.”

 

As a youth, Aaron impressed scouts from the Negro Leagues
enough to merit his first professional contract. “I was signed from the
sandlots of Mobile,”
Aaron told a packed house in the Hall of Fame’s Grandstand Theater. “I got $200
per month. Back then, that was big money,” Aaron said with a chuckle. “I had
been making nothing in Mobile.”

 

During Negro Leagues stints with the Bears and the Indianapolis
Clowns, Aaron caught the eyes of the Boston Braves, who would soon become the
Milwaukee Braves. The Braves gave Aaron a raise, but sent him to Jacksonville of the South
Atlantic League. Aaron made history by becoming part of a contingent that broke
the league’s longstanding color barrier. “We had three black players on that
team. I had a very good year. I led the league in everything but hotel
accommodations.”

 

Not only did Aaron and his two black teammates have to stay
in separate hotels and eat in different restaurants; they had to endure uncivil
behavior at the games. “The problem we had was with spectators. We had a rough
time in the South. It got ridiculous.

 

“At some ballparks, we could not dress in the clubhouse. If
you went 0-for-4, the fans would throw bananas at us. After the game, we would
be at the [boarding] house together and say to ourselves, ‘How silly is this?’
Some people were so hateful to us.”

 

Such abusive and outward racism subsided when Aaron received
his first call to play for the Braves. “Milwaukee
was a great city,” Aaron said unequivocally. “If not for Milwaukee, I didn’t know if I’d be a
ballplayer. The fans were really good. I give them all the credit.”

 

Aaron not only started his big league career in Milwaukee, but he
finished it there. When the Braves moved to Atlanta in 1966, Aaron moved with them,
staying there long enough to hit his record-breaking 715th home run
in those gaudy blue and white Braves uniforms. After that historic 1974 season,
the Braves sent him back to Milwaukee–by
now the home of the Brewers. Aaron played two seasons with the Brewers as a DH,
before retiring at the end of the 1976 season. He realized that it was
appropriate to call it quits. “The last year in Milwaukee, Del
Crandall was the manager. I slid into what I thought was a base, but the base
was 15 feet away. I knew it was time.”

 

Just like it was time for the Hall of Fame to create an
exhibit in his honor. It’s tastefully done and aesthetically pleasing, with a collage of
Aaron photos as you first enter, followed by four distinct sections that
chronicle The Hammer’s youth, his minor league days, his halcyon major league
career, and the good work he’s done after baseball, highlighted by his “Chasing the Dream” foundation.

Thirty five years after succeeding Ruth, Aaron and the Babe now stand alone–with rooms all to themselves–right here in Cooperstown.

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